Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

Layers of Place

augmented reality
augmented reality
Feb 28–Mar 16
Danny Goldfield, Lori Landay, Meghna Singh, and Simon Wood
Venue:
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)
Along the Infinite Corridor (from W20 lawn to Memorial Lobby 10)

Layers of Place reimagines MIT's campus as a tapestry of dialogues across time and space, using augmented reality (AR) to reveal hidden histories, stories, and perspectives where physical sites meet digital spaces through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory.

The MIT Open Documentary Lab's AR and Public Space Artist Collective presents Layers of Place, a multiyear exploration of how digital augmentation reshapes our understanding of space, place, and shared histories. Through Hoverlay, a location-based mobile AR app, MIT's landscape becomes an evolving canvas for urban annotation, bridging personal, communal, and historical experiences.

Visitors explore MIT's iconic sites through geo-located markers and digital overlays, each revealing unique stories and perspectives. While individual projects serve as distinct portals, the exhibition's power emerges through collective experience. These layered encounters yield a prismatic viewpoint that captures diverse narratives and reveals nuanced dimensions of place. The campus transforms into a multidimensional inquiry exploring racial justice, historical memory, monuments, environmental stewardship, and technology's impact on civic life.

Eight distinct perspectives emphasize plurality and nuance, expanding "public space" to encompass both physical campus and virtual AR layers. Through three featured projects—The Fovnder's Pillars; 1 to Infinity, MIT; and Moving Memory—visitors participate in a new form of communal experience.

Take a Guided Tour

Mar 5 // 5:00–6:00pm // Guided Tour of Layers of Place at MIT Artfinity: An Augmented Reality Exhibition

Join Sarah Wolozin, Director of the MIT Open Documentary Lab, and artists Lori Landay and Danny Goldfield for a guided tour of Layers of Place, an augmented reality (AR) exhibition that reimagines MIT’s campus as a tapestry of hidden stories and perspectives. This tour will explore all three featured projects. Experience how AR transforms MIT’s public spaces into immersive storytelling landscapes.

Register to attend

About the Projects

Fovnders Pillars by Lesiba Mabitsela, Meghna Singh, and Simon Wood

Location: Building 7 Portico

About the Project: The Fovnder’s Pillars is an AR memorial honoring the six enslaved individuals once owned by MIT founder William Barton Rogers. Drawing from six African regions, each represented by a distinct textile and its associated myth, the project weaves decolonial tropes and tales of freedom-making into six videos that fuse classical architecture with African artistry. Activating the pillars, it reclaims space, transforming the façade into a living tribute to the African diaspora’s ancestral roots and confronting the Institute’s legacy of historical injustice.

About the Artists: Meghna Singh and Simon Wood, Cape Town-based artists, investigate colonial and capitalist legacies through decolonial approaches. Their collaborations blend XR, video, and public art. Lesiba Mabitsela, a South African interdisciplinary artist and fashion practitioner, is a founding member of the African Fashion Research Institute.

1 to Infinity, MIT by Danny Goldfield

Location: Infinite Corridor, begin the experience in Lobby 7

About the Project: 1 to Infinity, MIT is a portrait photography series where the goal is to feature one person from the MIT community that is each age—a 1-year-old, 2-year-old, 3, 4, and continuing sequentially. The project began on the first day of the spring semester 2025, and with your help, we can include someone from every age. More information at 1toinfinity.com.

About the Artist: Danny Goldfield’s photography projects use numbers as a way to meet new people and portray a moment in their lives. To Live 10,000 Years portrays two people—both at least 100 years old—from each of the 50 United States, while NYChildren portrays one child from every country on Earth, all living in New York City. He holds an MFA from the American Film Institute (AFI) Conservatory and works with MIT Mechanical Engineering.

Moving Memory by Lori Landay

Location: Lawn in front of MIT Stratton Student Center, Building W20

About the Project: Move inside your mind. Moving Memory uses motion capture of dancers, animated objects, and music to invite you to move and play around Jaume Plensa’s sculpture Alchemist. Move to the music, maybe mimicking the animated figures. Take some pictures to keep private or post if you choose using the hashtag #movingmemoryar and #artfinity. Consider what it means to be you, in an enclosure that is both interior and exterior, public and private. What do you intend to remember about this moment? What does a photo capture?

About the Artist: Lori Landay is professor of cultural studies, new media, and visual culture at Berklee College of Music. An interdisciplinary artist-scholar, she explores image, movement, and sound through live performance, video, and extended reality (XR).

Additional Credits: Kanella Benavides, dancer; Kate Warner, dancer; Alissa Cardone, choreography; MIT nano.Immersion Lab, motion capture

Danny Goldfield creates projects exploring humanity through numbers. At MIT, he develops product engineering processes, documents human performances, and builds augmented reality experiences. As an independent artist, he leads Numbers, a blockchain conceptual art project. A former MIT Open Documentary Lab fellow (2017), his work has appeared on LIFE's cover and in The New York Times, BBC Worldwide, and other major media.

Lori Landay is professor of cultural studies, new media, and visual culture at Berklee College of Music. An interdisciplinary artist-scholar, she explores image, movement, and sound through live performance, video, and extended reality (XR). Her MIT Open Documentary Lab fellowship (2022–24) focused on motion and emotion in XR, including collaborative work at MIT's nano.Immersion Lab.

Meghna Singh and Simon Wood are Cape Town-based artists investigating colonial and capitalist legacies via decolonial approaches. Their collaborations, including Container, blend XR, video, and public art. Singh, a postdoctoral researcher at Aarhus University’s “Playing With Ghosts,” decolonizes digital spaces, while Wood’s film Scenes from a Dry Cityearned international acclaim. Their MIT Open Documentary Lab project, The Four Floors of Faneuil Hall, is a quadriptych presenting simultaneous happenings in an iconic Boston building built by a transatlantic slave trader.

Lesiba Mabitsela is a South African interdisciplinary artist and fashion practitioner, and a founding member of the African Fashion Research Institute.

MIT Open Documentary Lab

The MIT Open Documentary Lab connects storytellers, technologists, and scholars to explore new documentary forms, emphasizing co-creative, interactive, and immersive narratives. Building on MIT's legacy of media innovation and commitment to accessible information, the Lab catalyzes documentary's evolution through collaboration, knowledge-sharing, and technological innovation.

Comparative Media Studies

MIT Comparative Media Studies/Writing offers innovative programs that apply critical analysis, collaborative research, and design across a variety of media arts, forms, and practices.

Infinite Corridor

Rogers Building

7

77 Massachusetts Avenue, Cambridge, MA

Building location on the MIT Campus Map

MIT is committed to providing an environment that is accessible to individuals with disabilities. View the Accessibility Web App, designed for the MIT community to view accessible routes across the MIT campus. Please contact the event organizer directly for specific accessibility information or to discuss your needs.

The MIT Open Documentary Lab's AR and Public Space Artist Collective investigates how augmented environments and storytelling technology reshape our relationships to place and community. This working group advances social and spatial justice through research and creative practice.

Members: Nadav Assor, Halsey Burgund, Danny Goldfield, Rashin Fahandej, Lori Landay, Yucef Merhi, Mathieu Pradat, Sahar Sajadieh, Meghna Singh, Tamara Shogaolu, Sarah Wolozin, Simon Wood, and Joanna Wright.

The MIT Open Documentary Lab connects storytellers, technologists, and scholars to explore new documentary forms, emphasizing co-creative, interactive, and immersive narratives. Building on MIT's legacy of media innovation and commitment to accessible information, the Lab catalyzes documentary's evolution through collaboration, knowledge-sharing, and technological innovation.


Additional Contributors:

Nicolas Robbe (Hoverlay, CEO)

2025-02-28
0:00
2025-03-16
23:55